<p>This chapter poses the following questions:</p><p>• How do embodied cognitive processes support creativity in dance making? </p><p>• What cognitive psychological theories underpin the use of somatic practices in creativity? </p><p>• What distinguishes the pedagogical environment of Somatic Movement Dance Education from traditional dance education? </p><p>• How does the SMDE environment promote autonomous, creative dance making capacities? </p>
Funding
This research was funded by a Leverhulme Trust Research Project Grant for “In the Dancer’s Mind: Creativity, Novelty, and the Imagination;” Coventry University’s Centre for Dance Research, Chancellor’s Fund, and Centre for Global Engagement; the Rebecca Skelton Fund; and the MARCS Institute at the University of Western Sydney.